From the moment I saw the trailer for this game, I was enamored by its style and colors. So I put them on my computer I guess?
From the moment I saw the trailer for this game, I was enamored by its style and colors. So I put them on my computer I guess?
Van Houten is as wrong about characters as a character/person can be. They do exist beyond the pages. But this book has taught me that their lives are just as fleeting as the supposedly more “real” lives we all possess. Characters are real, but just as assuredly do they continue living past the last chapter, they also eventually expire.
Hazel wanted to know what happened to the characters surrounding Anna because that will also be the mystery of her loved ones when she passes. She’s frustrated because she can’t know what will happen to Isaac, or Augustus, or her parents. When she dies, it’s the end of her personal story, but hearing what happens after Anna’s last sentence is cut off would ensure her that a world continues on.
I was so fearful that this book would pull a Van Houten and cut off Hazel’s sentence.
It occurs to me now that Van Houten’s cutoff robs the reader of important closure that they get when grieving the loss of a loved one. Augustus’ death is tragic, and I felt real pain and shed real tears as I read. It hurt like any loss I’ve ever suffered in life. I was Hazel for those pages. But Anna’s mother and hamster get no such closure. Their story is eternally paused, their opportunity for closure taken from them. As Hazel, I got to see the story continue. I got to experience how awful a world without Augustus truly is, but I also got to see that there WAS still a world to grieve in.
Van Houten got everything right about death and dying except for the eternity that follows. He thought a story can just be a first person perspective of a slow decline, but the story belongs to the other characters as much as it does to the protagonist. Anne Frank’s story is also Otto Frank’s story, and the story of the museum’s patrons. Anne Frank’s story has a chapter about Hazel and Augustus kissing in her childhood home, and of strangers applauding two teenagers finding love in a place normally reserved for reverence. The act happened in spite of reverence, and was itself a reverent act because it played a part in Anne Frank’s life after life.
The Fault in Our Stars is An Imperial Affliction is Anne Frank’s Diary is John Green’s dealing with the loss of Esther Earl (despite and because of his disclaimers).
That book thoroughly knocked me on my ass.
Over a decade ago, I used to (via Zelda Comic) host a collection of songs and ditties I’d created in MOD tracker software (and later, a Mac OS 9 version of Logic), little covers of video game tunes mostly but also some original music. However, a major website overhaul resulted in the song page and all associated music disappearing. Some readers asked me where they could find music I had written. My response at the time was simply that I didn’t feel the songs were related to Zelda Comic, hadn’t found an appropriate new home for them, and for the most part was a little embarrassed of my lack of musical prowess demonstrated in most of those tracks. Almost every song I’ve ever composed (except for a track on OCReMix’s Hedgehog Heaven compilation album, but let’s not talk about that) was stricken from the Internet.
Since then, a few developments have occurred:
My SoundCloud account can be found here: https://soundcloud.com/mario-panighetti. Right now it only has a silly kazoo cover of an amazing web series theme song, but I’ll soon be uploading other tracks from days of yore, including a soundtrack I made for a for reals computer game! Maybe even new songs eventually?? We will see.
So stay tuned I guess!
The classic “The Forum Decides” continues on The Orange Belt Forums! This time, I asked the community to vote on what movie I should watch. It was Rubber!
Then I watched it and rambled about it in real time on the forum! Check it out, won’t you? Thank you.
Back in elementary school, we had access to a cheap, simple book publishing process; we would write and draw our stories, and the librarian would laminate the pages, punch holes and apply plastic binding. Some of my fondest school memories involved churning out story after story and seemingly having them immortalized in real book form.
Cut to the modern era, where I have been collecting old childhood artwork as Apple Cow fodder (turns out I’m still making those???). During one of these scanning sessions, I came across one of my old books.
Then I discovered this book was actually an early attempt at crossover fanfiction and told the story of Frog and Toad meeting Mr. Bump!
So I’ve decided to treat this a little differently than Apple Cow. Not only because the characters are protected under copyright law (and I’ve never created webcomics primarily featuring copyrighted characters), but also because, as a completed work, I felt a more appropriate (and entertaining) action would be to release it in its entirety to an unsuspecting Internet.
I’ll probably eventually add the pages to Dot Matrix for archival purposes, but for the time being I’ve created a Tumblr blog dedicated to this project. Tune in to Frog and Toad Meet Mr. Bump for weekly page uploads and hopefully humorous commentary as I delve into the creative mind of my nine-year-old self!
Since no one was asking, here’s the latest episode of Apple Cow!
Okay, some explanation may be called for.
Several years ago, I dug up a box of old childhood drawings. I had been trying to think of a new webcomic project, and the idea came to me to use these drawings as artwork for a new comic series. The small sampling of drawings showcased my childhood love of cows and apples, and the rest came naturally.
Go check out the previous episodes then come right back once you’re caught up. It’s a website, it can wait!
This week I decided to start a new feature on The Orange Belt Forums. Specifically, I opened a thread soliciting suggestions on what TV show episode I would watch and pledged that whichever episode got the most suggestions, I would view without question.
This being the Internet, I probably should have suspected that the majority vote would go to an episode of My Little Pony: Friendship is Magic.
In just a few minutes I will start viewing the winning episode, the season two opener “The Return of Harmony, Part 1”. Will one episode be able to convince me that bronies have maybe got their lives sorted out after all? Will I run screaming from my computer and turn to a life of solitude, never again to lay hands on any piece of technology that might bring me closer to this modern eldritch horror? Will some third thing happen?
Find out in the forum thread!
Cheryl Platz (writer of the excellent blog twenty-sided woman which you should all be reading on a regular basis WHY DON’T YOU GET ON THAT) wrote a post today describing the antiquated state of iconography in user interfaces that got me into a UX sort of mindset. She describes how Windows is moving away from such abstracts, preferring more straightforward tiles containing text descriptions. But I started thinking about another source of iconographic inspiration that I think she and the rest of you might find interesting…
Even in the most modern of word processors and spreadsheet editors, most of the button interaction is represented by vague analog metaphors. The last time I interacted with a floppy disk, I was using them as coasters for a Hackers-themed movie night! (long story short, you missed out) And as Cheryl mentioned, clipboards aren’t an obvious analogy for applying duplicated information, so why did it become the standard for something as frequently evoked as “Paste”? Microsoft’s solution, as outlined in their previews for Windows 8’s Metro UI, is to replace those tiny icons with large, touchable rectangles detailing the contents of each application and service. Go ahead and watch the video:
Not too shabby! Metro looks very touch control-friendly and the icons clearly communicate their purpose. But I want to take another brief look at the tiny icons that have served us in the pre-post-PC world and think of another way to utilize them:
A video game-style tutorial mode.
Video games have been trying to deal with relating digital actions to real world analogs for at least as long as productivity applications. In fact, games have it a lot tougher: while you may perform tasks somewhat resembling saving and cut/copy/pasting in everyday life, you’re far less likely to find yourself, say, controlling the actions of a hapless family of avatars as they seek out lives and careers.
A game has to get the player familiar with a wholly alien interface in a very short period of time if it wants to keep said player engaged. As technology advances and games increase their capabilities, control schemes necessarily become more complex. Soon a large portion of the screen is devoted to complicated button layouts, and there isn’t always space for textual descriptions explaining the functions. Let’s look at this screenshot from The Sims 2 (click to enlarge):
See that dial on the bottom-left corner? It’s loaded to the brim with icons attempting to communicate functionality with simple pictographs. And you know what? It’s not always succeeding. From my past experiences with other user interfaces and societal conventions, I can probably figure out a few of these buttons; the plus/minus and curved arrow look like they could be related to camera controls, the sun/leaf/snowflake/tulip pictures presumably correspond to the seasons. Random clicking will probably yield more information about the other controls.
But what if I’m not the type of game player that wants to take risks by random clicking? Or going back to the original point, what if I’ve just finished typing up my very first Microsoft Word document, and I don’t inherently know that a picture of thirty year-old data storage technology that most computers don’t even support anymore represents the action of saving my work? Am I expected to click wantonly until the desired result is obtained?
How, then, do video games overcome this problem? Since their inception, most games come with instruction manuals detailing how to perform all the actions you need to get started, but who in the Word or Sims scenarios really reads a manual? No, the real way for a game to instruct on these behaviors is with a guided, in-game tutorial. Almost every modern game has the ubiquitous “tutorial mode”, handholding the player as it painstakingly describes each essential button and refusing to proceed until we apply their instructions and repeat the stated actions. The game teaches you what a mouse click does, then patiently waits for you to click that mouse button.
What would users think if Microsoft Word 2012 came with a tutorial mode? Before you write your Great American Novel, out comes Clippy with a mandatory walkthrough describing the functions of all the most commonly-used buttons on the toolbar. Users would painstakingly be guided through the concepts of copying and pasting, of right-justification, of embedding hyperlinks. Every person that ever used Word would have this shared educational experience (unskippable, of course), giving all users a much-improved baseline of knowledge and self-sufficiency.
At this point, it wouldn’t matter what we put on the icons. The floppy disk becomes no more useful a graphical representation than a National Geographic photo of a panda chewing on bamboo. It would be a wonderful opportunity to immediately phase out all this outmoded imagery and replace it with more interesting and timeless abstractions. Since everyone did the tutorial, the panda button would be a self-evident representation of saving our work. Clippy said so in the walkthrough. By applying a button’s function within the context of the action, we effectively remove the abstractness from the abstraction.
It should be noted that this is actually a terrible idea. But if some up-and-coming developer implemented something like this in his indie word processor, I’d certainly give the tutorial level a go.
I haven’t been drawing.
There was a time, oh so long ago, when I thought to myself, “Self, you need to create something people will enjoy. This something should come in the form of a webcomic that doesn’t involve the intellectual property of others.”
And so I promptly screwed around and stopped working on everything comic-related. Life got in the way, but really I let life take over and changed my priorities. I got a better job, moved back to the part of California that doesn’t suck, and threw myself into activities directly related to paying bills and advancing career.
Through all this, I kept it in my mind that I wanted to get back to comics, that I wanted to make my big splash in the webcomic world with something I could truly call my own. I’m finally at a point where I feel like I can start to work toward these goals.
Too bad I forgot to keep drawing during all that downtime!
I feel like I’ve got a horrible case of the stupid fingers. I would never have claimed to be a great artist (that takes more formal art education, generally), but my lack of practice means my drawings today look not all that different from my drawings five years ago, when I still wasn’t where I wanted to be talent-wise. As a result, I’m forcing myself to go through the basics, to rebuild a foundation upon which I can build something resembling decent artistry.
While browsing through various Livejournal blogs of webcomic artists I admire (not at all to try and steal their powers), I was directed toward an excellent online tool at Pose Maniacs. The site has digitally-rendered male and female models in thousands of configurations of poses, with musculature exposed to help you break down the form. Of particular interest is the thirty second randomizer, forcing you to get your gesture draw on. It’s a wonderful resource I highly recommend everyone bookmark and frequent right away (get the iPhone app while you’re at it; I love the thought of having this sort of resource wherever I go). In the interest of attempting to build discipline through public display, here are some figure drawing exercises from yesterday and today (slightly NSFW pics of naked nudeness after the break). Continue reading Square One (the state of starting anew, not the hit public broadcasting television series)
My yearly tradition returns for another year! Like all yearly traditions ought to. Whenever I can muster up the strength to do so, I make Valentine’s Day cards for my mother and siblings to enjoy. Last year I made a batch in the style of Back to the Future. This year I decided to go with something relatively more contemporary: enjoy my Dr. Horrible’s Sing-Along Blog valentines!
If you haven’t seen Dr. Horrible yet… seriously, what’s wrong with you? Please go buy the DVD (or Blu-ray), buy the soundtrack, watch Commentary! The Musical, buy the Commentary! soundtrack… then come back here and print out the valentines and enjoy please.